Screenplay Format Example

The fastest way to learn screenplay format is to see a correct example and read what each line is doing. Below is a fully-formatted page, then the same content broken down element by element. For the rules behind the example, see the complete screenplay format guide.

A Full Formatted Page

Every element type appears here, formatted the way a reader expects to see it:

FADE IN:
INT. SUBWAY CAR — NIGHT
Fluorescent light, half the tubes dead. The car is empty except for DELL, 40s, in a security uniform two sizes too big, and a sleeping COMMUTER at the far end.
Dell watches the dark windows. Something out there keeps pace with the train.
Dell
(quietly, into radio)
Base, this is Dell. You seeing anything on the tunnel cams?
Static. He thumbs the radio again.
Dell (CONT'D)
Base. Come back.
The lights cut out. When they snap back, the commuter is gone.
Smash cut to:

Annotated, Element by Element

  • FADE IN: — the conventional opening, flush left, in caps.
  • INT. SUBWAY CAR — NIGHT — the scene heading: interior/exterior, location, time of day, all caps, flush left.
  • Action — sentence case, full width, present tense. Character names are capitalised the first time they appear (DELL, COMMUTER).
  • DELL — the character cue, caps, centred over the dialogue.
  • (quietly, into radio) — a parenthetical, lowercase, only when the delivery isn't obvious.
  • DELL (CONT'D) — the (CONT’D) extension marks the same character speaking again after an action beat.
  • SMASH CUT TO: — a transition, caps, flush right.

Dialogue & Parenthetical Example

A closer look at how a back-and-forth exchange is formatted — cues centred, dialogue indented, one blank line between speakers:

Nina
You read it.
Theo
(not looking up)
I read all of it. Twice.
Nina
And?
Theo
And we need to talk about the ending.

What to Notice

  • Caps do specific jobs: scene headings, character cues, transitions, and first-appearance names — nothing else.
  • Action describes only what's seen and heard. No inner thoughts, no “he remembers”.
  • Parentheticals are short and rare. If a line needs a paragraph of explanation, rewrite the line.
  • There's white space everywhere. A wall of text is a red flag — readers want air.

Copy This Into a Tool

Type any of the examples above into Ensemble and watch the formatting fall into place automatically — scene headings detected, cues centred, transitions pushed right. It's free and runs in your browser, no download. For a blank starting point with the rules attached, grab the screenplay format template.

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